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Harry Clarke, R.H.A. - The Mother of Sorrows, Memorial to Sister Superior Mary of Saint Wilfrid, Principal of Dowanhill Training College, Glasgow, 1926

Harry Clarke, R.H.A.

The Mother of Sorrows, Memorial to Sister Superior Mary of Saint Wilfrid, Principal of Dowanhill Training College, Glasgow, 1926

Found at Christies, London
The Irish Sale, Lot 86
17. May - 17. May 2002
Estimate: XX.XXX
Price realised: XX.XXX
Harry Clarke, R.H.A. (1889-1931)
The Mother of Sorrows, Memorial to Sister Superior Mary of Saint Wilfrid, Principal of Dowanhill Training College, Glasgow, 1926
inscribed 'IN MEMORIAM 1894-1926/CHRISTE, CUM SIT HINC EXIRE/DA PER MATREM ME VENIRE/AD PALMAM VICTORIAE/SINGULARITER IN SPE' (lower centre of central light)
three-light glass window, leaded, stained, acided and painted
129 in. (328 cm.) high

A top price for Harry Clarke

In May 2002 Christies in London held the auction The Irish Sale, which included the work The Mother of Sorrows, Memorial to Sister Superior Mary of Saint Wilfrid, Principal of Dowanhill Training College, Glasgow, 1926 by Harry Clarke. Here, the upper estimate of GBP 60,000.00 was slightly exceeded - the artwork found a new owner for GBP 65,725.00 (€ 102,926.24). With this result, The Mother of Sorrows, Memorial to Sister Superior Mary of Saint Wilfrid, Principal of Dowanhill Training College, Glasgow, 1926 is even the most expensive work of art by Harry Clarke that we have observed at auctions so far.

Ein Spitzenpreis für Harry Clarke

Im Mai 2002 führte Christies in London die Auktion The Irish Sale durch, in der auch die Arbeit The Mother of Sorrows, Memorial to Sister Superior Mary of Saint Wilfrid, Principal of Dowanhill Training College, Glasgow, 1926 von Harry Clarke zur Versteigerung kam. Dabei wurde der obere Schätzpreis von GBP 60.000,00 leicht übertroffen – das Kunstwerk fand für GBP 65.725,00 (€ 102.926,24) einen neuen Besitzer. Mit diesem Ergebnis ist The Mother of Sorrows, Memorial to Sister Superior Mary of Saint Wilfrid, Principal of Dowanhill Training College, Glasgow, 1926 sogar das teuerste Kunstwerk von Harry Clarke, das wir bisher bei Auktionen beobachtet haben.

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