Prideaux John Selby
Illustrations of British Ornithology. Text volumes: Edinburgh, London and Dublin: W.H. Lizars; Longman, Rees, Orme, Brown, Green, and Longman; W. Curry Jun. & Co., 1833. Plate volumes: Edinburgh and London: Archibald Constable & Co.; Hurst, Robinson & Co.
Estimate: 24.000 - 28.000 GBP
Price realised: 29.375 GBP
Price realised: 29.375 GBP
Description
Prideaux John Selby (1788-1867)
Illustrations of British Ornithology. Text volumes: Edinburgh, London and Dublin: W.H. Lizars; Longman, Rees, Orme, Brown, Green, and Longman; W. Curry Jun. & Co., 1833. Plate volumes: Edinburgh and London: Archibald Constable & Co.; Hurst, Robinson & Co., [n.d., 1821] [volume I] and Edinburgh, London and Dublin: W.H. Lizars; Longman, Rees, Orme, Brown, Green, & Longman; W. Curry Jun. & Co., 1834 [volume II]. 4 volumes, 8° (212 x 137mm) [text volumes] and 2° (636 x 512mm) [plate volumes]. Plate volumes with engraved titles by W.H. Lizars after J. Stewart and Lizars. 218 hand-coloured etched plates by W.H. Lizars, Robert Mitford and Selby after William Jardine, Mitford and Selby, coloured by Daniel McNee and others, 3 folded at foot, and 4 etched plates by and after Selby. (Text volumes: variable light browning, volume I lacking half-title, volume II, R6 with short tear touching text. Plate volumes: scattered light spotting, volume II with a few plates trimmed at margins, XCI, XCII, X
'[SELBY'S] GREATEST WORK WILL EVER BE DEEMED HIS CELEBRATED ILUSTRATIONS OF BRITISH ORNITHOLOGY..., OUR ENGLISH EQUIVALENT OF AUDUBON'S FAMOUS WORK' (Mullens and Swann, p.518). Selby's interest in ornithology began at an early age, when he would draw birds seen locally while still a schoolboy, supplementing these images with notes on their lives, and beginning the remarkable collection of skins which would eventually serve as the models for these plates. The plates of Illustrations of British Birds were begun in 1821, and issued over the following 13 years in 19 parts, from which the two plate volumes in the present set (which bear watermarks ranging from 1815 to 1833) were bound up. The text was first issued in 1825 as two separate volumes: like Audubon -- who Selby had befriended in Edinburgh, and who shared a publisher in Lizars -- Selby wished to avoid distributing copies of the exspensive plate volumes to the copyright libraries, and issued the text volumes on their own, to secure
Illustrations of British Ornithology. Text volumes: Edinburgh, London and Dublin: W.H. Lizars; Longman, Rees, Orme, Brown, Green, and Longman; W. Curry Jun. & Co., 1833. Plate volumes: Edinburgh and London: Archibald Constable & Co.; Hurst, Robinson & Co., [n.d., 1821] [volume I] and Edinburgh, London and Dublin: W.H. Lizars; Longman, Rees, Orme, Brown, Green, & Longman; W. Curry Jun. & Co., 1834 [volume II]. 4 volumes, 8° (212 x 137mm) [text volumes] and 2° (636 x 512mm) [plate volumes]. Plate volumes with engraved titles by W.H. Lizars after J. Stewart and Lizars. 218 hand-coloured etched plates by W.H. Lizars, Robert Mitford and Selby after William Jardine, Mitford and Selby, coloured by Daniel McNee and others, 3 folded at foot, and 4 etched plates by and after Selby. (Text volumes: variable light browning, volume I lacking half-title, volume II, R6 with short tear touching text. Plate volumes: scattered light spotting, volume II with a few plates trimmed at margins, XCI, XCII, X
'[SELBY'S] GREATEST WORK WILL EVER BE DEEMED HIS CELEBRATED ILUSTRATIONS OF BRITISH ORNITHOLOGY..., OUR ENGLISH EQUIVALENT OF AUDUBON'S FAMOUS WORK' (Mullens and Swann, p.518). Selby's interest in ornithology began at an early age, when he would draw birds seen locally while still a schoolboy, supplementing these images with notes on their lives, and beginning the remarkable collection of skins which would eventually serve as the models for these plates. The plates of Illustrations of British Birds were begun in 1821, and issued over the following 13 years in 19 parts, from which the two plate volumes in the present set (which bear watermarks ranging from 1815 to 1833) were bound up. The text was first issued in 1825 as two separate volumes: like Audubon -- who Selby had befriended in Edinburgh, and who shared a publisher in Lizars -- Selby wished to avoid distributing copies of the exspensive plate volumes to the copyright libraries, and issued the text volumes on their own, to secure
A top price for Prideaux John Selby
The work Illustrations of British Ornithology. Text volumes: Edinburgh, London and Dublin: W.H. Lizars; Longman, Rees, Orme, Brown, Green, and Longman; W. Curry Jun. & Co., 1833. Plate volumes: Edinburgh and London: Archibald Constable & Co.; Hurst, Robinson & Co. by Prideaux John Selby was sold in the NATURAL HISTORY auction at Christies in London in June 2001. Here, the upper estimate of GBP 28,000.00 was slightly exceeded - the artwork found a new owner for GBP 29,375.00 (€ 48,797.72). With this result, Illustrations of British Ornithology. Text volumes: Edinburgh, London and Dublin: W.H. Lizars; Longman, Rees, Orme, Brown, Green, and Longman; W. Curry Jun. & Co., 1833. Plate volumes: Edinburgh and London: Archibald Constable & Co.; Hurst, Robinson & Co. is even the most expensive work of art by Prideaux John Selby that we have observed at auctions so far.
Ein Spitzenpreis für Prideaux John Selby
Die Arbeit Illustrations of British Ornithology. Text volumes: Edinburgh, London and Dublin: W.H. Lizars; Longman, Rees, Orme, Brown, Green, and Longman; W. Curry Jun. & Co., 1833. Plate volumes: Edinburgh and London: Archibald Constable & Co.; Hurst, Robinson & Co. von Prideaux John Selby wurde im Juni 2001 in der Auktion NATURAL HISTORY bei Christies in London versteigert. Dabei wurde der obere Schätzpreis von GBP 28.000,00 leicht übertroffen – das Kunstwerk fand für GBP 29.375,00 (€ 48.797,72) einen neuen Besitzer. Mit diesem Ergebnis ist Illustrations of British Ornithology. Text volumes: Edinburgh, London and Dublin: W.H. Lizars; Longman, Rees, Orme, Brown, Green, and Longman; W. Curry Jun. & Co., 1833. Plate volumes: Edinburgh and London: Archibald Constable & Co.; Hurst, Robinson & Co. sogar das teuerste Kunstwerk von Prideaux John Selby, das wir bisher bei Auktionen beobachtet haben.