- Art.Salon
- Artists
- Lu Xiaoman
- Landscape After Wang Ao
Lu Xiaoman
Landscape After Wang Ao
Found at
Sothebys,
New York
Fine Classical Chinese Paintings & Calligraphy, Lot 1331
23. Mar - 23. Mar 2018
Fine Classical Chinese Paintings & Calligraphy, Lot 1331
23. Mar - 23. Mar 2018
Estimate: XX.XXX
Price realised: XX.XXX
Price realised: XX.XXX
Description
Lu Xiaoman 1903-1965
LANDSCAPE AFTER WANG AO
signed Xiaoman Lu Mei, dated wuzi (1948), summer, inscribed with a poem and two seals of the artist, lu mei, xiao man
ink and color on paper, mounted for framing
110.8 by 50.5 cm. 43 5/8 by 19 7/8 in.
LANDSCAPE AFTER WANG AO
signed Xiaoman Lu Mei, dated wuzi (1948), summer, inscribed with a poem and two seals of the artist, lu mei, xiao man
ink and color on paper, mounted for framing
110.8 by 50.5 cm. 43 5/8 by 19 7/8 in.
Upper estimate price exceeded by 79 %.
This artwork by Lu Xiaoman achieved an unexpectedly high price at Sothebys in New York in March 2018. In the Fine Classical Chinese Paintings & Calligraphy auction, the work Landscape After Wang Ao sold for USD 12,500.00 (€ 10,146.10) - well above the upper estimate of USD 7,000.00. Admittedly, works by Lu Xiaoman have also been auctioned for a multiple of this price - according to our records, the highest result so far was achieved by the work Horses In The Autumn Woods in April 2021 with an auction result of HKD 403,200.00 (€ 43,168.88).
Oberer Schätzpreis um 79 % übertroffen
Dieses Kunstwerk von Lu Xiaoman erzielte im März 2018 bei Sothebys in New York einen unerwartet hohen Preis. In der Auktion Fine Classical Chinese Paintings & Calligraphy wurde die Arbeit Landscape After Wang Ao für USD 12.500,00 (€ 10.146,10) versteigert – und damit weit über dem oberen Schätzpreis von USD 7.000,00. Freilich wurden Arbeiten von Lu Xiaoman auch schon für ein Vielfaches dieses Preises versteigert – das bisher höchste Ergebnis erzielte nach unseren Aufzeichnungen die Arbeit Horses In The Autumn Woods im April 2021 mit einem Auktionsergebnis von HKD 403.200,00 (€ 43.168,88).
