
A revolutionary female gaze
She was internationally renowned during her lifetime and was considered one of the most important female painters of her time: the unconventional Suzanne Valadon is now the subject of a major exhibition of the same name with almost 200 exhibits at the Centre Pompidou. The opening is on January 15.

The Centre Pompidou owns the largest collection of works by the painter Suzanne Valadon (1865-1938). For the first time since 1967, a major exhibition is being dedicated to her in Paris, supplemented by loans from the Musée d'Orsay and the Metropolitan Museum of Modern Art in New York, among others. The artist began her career as a model and learned by watching painters at work. As a self-taught artist, she quickly gained a reputation in Montmartre and became internationally renowned in the following years. Valadon is considered an important pioneer of early modernism and was the first woman to produce a large frontal nude painting of a man – a real shock, as women were still forbidden to do so according to the conventions of her time. Described as wild and free-spirited, the painter never allowed herself to be pigeonholed into an art movement and developed a very individual style. The Suzanne Valadon exhibition runs from January 15 to May 26 in Paris.
The nude, both male and female, was Valadon's main subject. She approached it without voyeurism or artificiality. Valadon showed nude models in unusual poses that did not idealize or sexualize their bodies. She later made a name for herself with unembellished self-portraits of her ageing body – which would still meet with a certain lack of understanding today. In addition to Valadon's paintings and drawings, visitors can expect to see previously unpublished archive material and selected paintings by contemporaries such as Juliette Roche, Georgette Agutte, Jacqueline Marval, Emilie Charmy and Hélène Delasalle, which contextualize Valadon's work.

Dive deeper into the art world
Psychonauts, provenance and personal stories
Photography beyond its boundaries
The EMOP, the European Month of Photography, has just begun in Berlin. It is the largest biennial festival of photography in Germany. The comprehensive exhibition program includes more than 100 contributions, and numerous other galleries are taking the EMOP as an opportunity to dedicate their current shows to photography. With so much to discover, we would like, of course, to draw your attention to our own exhibition, Grenzgänge, as well as The New You-We-Me by the Verein Berliner Künstler, which includes works by our esteemed artist Corinna Rosteck. Both group shows explore boundaries through the medium of photography, however both in very different ways.