- Art.Salon
- Artists
- Bao Shichen
- Calligraphy Manuscripts
Bao Shichen
Calligraphy Manuscripts
Found at
Christies,
New York
A Connoisseur's Vision: Property from the Xu Hanqing Collection, Lot 860
15. Sep - 15. Sep 2011
A Connoisseur's Vision: Property from the Xu Hanqing Collection, Lot 860
15. Sep - 15. Sep 2011
Estimate: XX.XXX
Price realised: XX.XXX
Price realised: XX.XXX
Description
BAO SHICHEN (1775-1855)
Calligraphy Manuscripts
Set of four albums, ink on paper
Volume 1 with 20 double leaves
Volume 2 with 28 double leaves
Volume 3 with 19 double leaves
Volume 4 with 19 double leaves
Last volume dated by the artist to the 28th year of the Daoguang era (1848)
Eight colophons by Xu Hanqing (1882-1961), with thirteen seals
Calligraphy Manuscripts
Set of four albums, ink on paper
Volume 1 with 20 double leaves
Volume 2 with 28 double leaves
Volume 3 with 19 double leaves
Volume 4 with 19 double leaves
Last volume dated by the artist to the 28th year of the Daoguang era (1848)
Eight colophons by Xu Hanqing (1882-1961), with thirteen seals
A top price for Bao Shichen
This artwork by Bao Shichen achieved an unexpectedly high price at Christies in New York in September 2011. In the A Connoisseur's Vision: Property from the Xu Hanqing Collection auction, the work Calligraphy Manuscripts sold for USD 206,500.00 (€ 153,543.01) - well above the upper estimate of USD 100,000.00. This high result makes Calligraphy Manuscripts the most expensive artwork by Bao Shichen that we have observed at auctions so far.
Ein Spitzenpreis für Bao Shichen
Dieses Kunstwerk von Bao Shichen erzielte im September 2011 bei Christies in New York einen unerwartet hohen Preis. In der Auktion A Connoisseur's Vision: Property from the Xu Hanqing Collection wurde die Arbeit Calligraphy Manuscripts für USD 206.500,00 (€ 153.543,01) versteigert – und damit weit über dem oberen Schätzpreis von USD 100.000,00. Dieses hohe Ergebnis macht Calligraphy Manuscripts zu dem teuersten Kunstwerk von Bao Shichen, das wir bisher bei Auktionen beobachtet haben.
