Exhibition on Albert Welti at the Kunsthaus Zürich

Welti's wondrous dream worlds

Albert Welti. Imprints of the fantastic: This exhibition at the Kunsthaus Zürich is the first comprehensive examination of Albert Welti's graphic work. Until now, it has mainly been his paintings that have been included in exhibitions. The exhibits can be seen from November 15.

November 15, 2024
Albert Welti, Die Fahrt ins 20. Jahr hundert, 1899/1900
Kunsthaus Zürich, Collection of Prints and Drawings
Albert Welti, The Journey into the 20th Century, 1899/1900, Etching on paper, plate: 39,2 x 62,8 cm

They are an expression of overflowing imagination: Swiss artist Albert Welti (1862-1912) gave free rein to his imagination in his graphic works. They served as a creative outlet for him when he was at an impasse with commissioned works or paintings, for example. Welti accepted every offer for graphic design: Among other things, he designed posters, invitation cards and New Year's cards. In this respect, he also ignored his great artistic role model Arnold Böcklin (1827-1901), who tried to dissuade Welti from graphic design in order to devote himself entirely to more noble painting. Welti's graphic work is characterized not only by bold ideas and bizarre creatures, but also by a particularly sarcastic sense of humor. As the artist's graphic works have received very little attention in comparison to his paintings, the Kunsthaus Zürich is now organizing the exhibition Albert Welti. Imprints of the fantastic with works from its own extensive collection. Welti's works will be presented alongside prints by other artists from the period in order to demonstrate his originality in an impressive and comprehensible way. The show will be on display from November 15, 2024 to February 9, 2025. Public guided tours will take place on November 16, December 8, January 10 and February 1.

Welti often depicted dream and nightmare scenes, drawing inspiration from fairy tales, sagas and legends. Although he recognized artistic qualities in new art movements such as Impressionism, he was critical of their great successes. Stylistically, he oriented himself towards past eras and, combined with imagination and humor, developed an idiosyncratic artistic expression, which, however, also met with some harsh criticism. Around 1900, he completed several large state painting commissions and was considered one of the most important painters in the country during these years.Art.Salon

Albert Welti, Walpurgisnacht, 1897
Kunsthaus Zürich, Collection of Prints and Drawings
Albert Welti, Walpurgis Night, 1897, Etching, drypoint and brush in yellow on paper, plate: 59,2 x 45 cm

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