Kunstmuseum Den Haag
Piet Mondrian, The Red Cloud 1907.
Tate Modern: Hilma af Klint & Piet Mondrian
Two Strangers Explore Forms of Life
Two who never met and yet miraculously found each other: Hilma af Klint and Piet Mondrian did not only share the profession of landscape painter. Their specific interests were also similar in many respects. From 20 April, the Tate Modern in London is venturing an experiment involving both artists.
April 20, 2023
Although they never met, their styles are tangential: the Swedish painter Hilma af Klint (1862 - 1944) and the Dutch painter Piet Mondrian (1872 - 1944) approached abstract art through their nature-oriented language. The Tate Modern in London is now putting their works into dialogue and uncovering the similarities from 20 April in the exhibition Hilma af Klint & Piet Mondrian. Forms of Life.
The focus of the event is the quest of both to understand the power of life on earth. Both Mondrian and af Klint became interested in nature through their work as landscape painters. Both were equally sympathetic to spirituality, scientific discovery and philosophy. In addition to Mondrian's well-known grids, the show also presents his flower paintings, which are otherwise rarely seen. Af Klint's works will puzzle visitors with their mystical abstraction. Until 3 September, they will be immersed in vivid signs, forms and colours by the two artists.
Courtesy of The Hilma af Klint Foundation
Hilma af Klint, The Swan, The SUW Series, Group IX, No. 19, 1914-1915.
Dive deeper into the art world
London, Tate Britain
»The 80s: Photographing Britain«
It was one of the most moving decades in the history of the United Kingdom: the 1980s, characterized by strikes, protests and AIDS. Photographers documented this period and in some cases became political activists themselves through their images. The exhibition The 80s: Photographing Britain opens on November 21 at the Tate Britain in London.
November 21, 2024
Guido Klumpe
In search of poetry in urban spaces
It is in the context of functional architecture in urban spaces that Guido Klumpe finds the motifs that he stages with his camera as the poetry of the profane. His picturesque images unfold an opulent effect with a reduced formal language, showing us the beauty of the moment in the flow of everyday life.
by Felix Brosius,
November 19, 2024
