Boston, Institute of Contemporary Art shows Firelei Báez

Alternative past and possible future

In her first major museum exhibition in North America, Firelei Báez presents 40 works of art from the last 20 years. Báez questions how colonial history is told and advocates viewing the past from many perspectives instead of just one. The show at the Institute of Contemporary Art in Boston opens on April 4.

April 04, 2024
Firelei Báez
Photo by Sunny Leerasanthanah
Firelei Báez

We learn history at school and are dependent on texts in books. And trust that the facts are correct and the presentation is complete. But it is incomplete and often told from only one perspective, the western white one. For two decades, the artist Firelei Báez (*1981) has dedicated herself to a more complex view of the past. Her focus is on American colonial history: for example, she paints over old maps with almost forgotten mythological creatures of indigenous peoples. However, her paintings, drawings and installations also feature alternative visions of the future that are not influenced by the Western science fiction canon. Báez is considered one of the most important voices of the present. In Firelei Báez, the Institute of Contemporary Art in Boston presents an overview of the artist's work to date. The exhibition runs from April 4 to September 2.

Báez was born in the Dominican Republic and has lived in the USA since the age of 9. Her focus is on Dominican history and folklore, working within the tensions of feminism, race, power and nature. She has won numerous awards and has exhibited in New York, Miami, New Orleans, Los Angeles, London, Rotterdam, Shanghai and Tokyo, among others. Báez has been represented by Galerie Hauser & Wirth since 2023.Art.Salon

Firelei Báez, A Drexcyen chronocommons (To win the war you fought it sideways) (detail), 2019
The Joyner/Giuffrida Collection. Image courtesy the artist and Hauser & Wirth, New York. Photo by Phoebe d’Heurle. © Firelei Báez
Firelei Báez, A Drexcyen chronocommons (To win the war you fought it sideways) (detail), 2019. Two paintings, hand-painted wooden frame, perforated tarp, printed mesh, handmade paper over found objects, plants, books, Oman incense, and palo santo. 373 1/4 × 447 1/8 × 157 1/8 inches (948.1 × 1135.7 × 399.1 cm).

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