Eveline Stauffer

A play of form and color

In her colorful paintings, Eveline Stauffer presents us with nothing less than a new aesthetic of minimalism. Her very own formal language is often based on elements from nature, which she transfers into her striking pictorial language in numerous studies and approximations in her studio in the former ticket hall of the Hindelbank train station near Bern.

by Felix Brosius, September 10, 2024
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Transformed Shape 1 (2022) by Eveline Stauffer

It is hard to grasp, yet the tremendous fascination emanating from the paintings of Swiss artist Eveline Stauffer is almost physically present. A few, strictly reduced elements determine the composition of the picture, while a striking choice of colors gives them a power all their own. The precisely elaborated forms are often sharply contoured, but at the same time softly embedded by shadows, overlays and gradients. This creates an exciting contrast between authoritative power and playful lightness, a fragile equilibrium, finely calibrated in the balance of color and form.

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Eveline Stauffer in her studio

The works are created with acrylic and pigment, watercolor and ink, mostly on canvas or a special paper that the artist tracked down in Italy. Although the forms often appear flat and striking, they are nevertheless delicately worked out, modeled line by line with a small brush. Stauffer often works in series, approaching a form from different perspectives, exploring the richness of variations of the individual form in the resonance of unique color worlds. In this way, she has succeeded in developing her very own, concise formal language, which gives her works a high recognition value and has already helped them to find their way into numerous international collections.

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Transformed Shape 4 (2023) by Eveline Stauffer
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Light and form 11 (2024) by Eveline Stauffer
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Light and form 10 (2024) by Eveline Stauffer

Learn more about the artist: Eveline Stauffer's artist pageArt.Salon

Dive deeper into the art world

Emilie Cognard

Emilie Cognard works with ink, water and paper, using these simple means to create highly complex drawings of marked depth.  With her works she questions the concept of emptiness; even more so, she questions our homogenized outlook on the world. The results are exceptionally fine compositions that are highly concentrated, flowing, amorphous, highly dynamic and yet almost contemplative.

by Felix Brosius, March 14, 2022
London, Royal Academy of Arts: »Michelangelo, Leonardo, Raphael«

At the beginning of the 16th century, the paths of three famous artists crossed in Florence: the exhibition Michelangelo, Leonardo, Raphael. Florence, c. 1504 sheds light on the circumstances of this competitive encounter. The show at the Royal Academy of Arts in London opens on November 9.

November 09, 2024