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- Jacques Gamelin
- Nouveau recueil d'ostologie et de myologie, dessin d'aprs nature ... pour l'utilit des sciences et des arts. Toulouse: J.F. Desclassan, 1779.
Gamelin, Jacques
Nouveau recueil d'ostologie et de myologie, dessin d'aprs nature ... pour l'utilit des sciences et des arts. Toulouse: J.F. Desclassan, 1779.
Found at
Christies,
New York
The Collection of Arthur & Charlotte Vershbow Part Three: The Baroque and Rococo Periods, Lot 519
20. Jun - 20. Jun 2013
The Collection of Arthur & Charlotte Vershbow Part Three: The Baroque and Rococo Periods, Lot 519
20. Jun - 20. Jun 2013
Estimate: 15.000 - 20.000 USD
Price realised: 15.000 USD
Price realised: 15.000 USD
Description
GAMELIN, Jacques (1738-1803). Nouveau recueil d'ostologie et de myologie, dessin d'aprs nature ... pour l'utilit des sciences et des arts. Toulouse: J.F. Desclassan, 1779.
2 parts in one volume, broadsheets (530 x 373 mm). 38 text leaves, including title-pages for each part and privilege leaf at end. 2 etched frontispieces, 2 etched title-vignettes, etched portrait of Baron de Puymaurin with a dedication by Gamelin below, 9 large etched vignettes in text, 82 etched and engraved plates, including 11 preceded by outline plates keyed to the text. (Washed.) Modern red morocco by Rene Aussourd, edges gilt (corners bumped). Provenance: Acquired from Lucien Goldschmidt, 1970.
FIRST EDITION. Although predominantly anatomical, the plates include a number of fantastic or macabre subjects, which are considered to prefigure Goya's Los Caprichos. Gamelin was born at Carcassonne and studied at Toulouse, Paris and Rome, where in 1771 he was admitted to the academy of St. Luke and became chief painter to Pope Clement XVI. He returned to Toulouse in 1774, where he published this work in 1779. It is dedicated to his patron, the Baron de Puymerin, the plates were designed by Gamelin himself. "The plates in this work are more fantastic than any other anatomy, suggesting the work of Goya, who may have known or studied with Gamelin since Gamelin taught in Rome during the time Goya was there" (Garrison-Morton). Although all the plates were designed by Gamelin and 18 bear his signature, most were executed by Jacques Lavalle (and a few by Martin). The illustrations in the first part, dealing with bones, are predominantly etchings or line-engravings or a combination of both.
2 parts in one volume, broadsheets (530 x 373 mm). 38 text leaves, including title-pages for each part and privilege leaf at end. 2 etched frontispieces, 2 etched title-vignettes, etched portrait of Baron de Puymaurin with a dedication by Gamelin below, 9 large etched vignettes in text, 82 etched and engraved plates, including 11 preceded by outline plates keyed to the text. (Washed.) Modern red morocco by Rene Aussourd, edges gilt (corners bumped). Provenance: Acquired from Lucien Goldschmidt, 1970.
FIRST EDITION. Although predominantly anatomical, the plates include a number of fantastic or macabre subjects, which are considered to prefigure Goya's Los Caprichos. Gamelin was born at Carcassonne and studied at Toulouse, Paris and Rome, where in 1771 he was admitted to the academy of St. Luke and became chief painter to Pope Clement XVI. He returned to Toulouse in 1774, where he published this work in 1779. It is dedicated to his patron, the Baron de Puymerin, the plates were designed by Gamelin himself. "The plates in this work are more fantastic than any other anatomy, suggesting the work of Goya, who may have known or studied with Gamelin since Gamelin taught in Rome during the time Goya was there" (Garrison-Morton). Although all the plates were designed by Gamelin and 18 bear his signature, most were executed by Jacques Lavalle (and a few by Martin). The illustrations in the first part, dealing with bones, are predominantly etchings or line-engravings or a combination of both.
A top price for Jacques Gamelin - as previously expected
The work Nouveau recueil d'ostologie et de myologie, dessin d'aprs nature ... pour l'utilit des sciences et des arts. Toulouse: J.F. Desclassan, 1779. by Jacques Gamelin was sold in the The Collection of Arthur & Charlotte Vershbow Part Three: The Baroque and Rococo Periods auction at Christies in New York in June 2013. The result of USD 15,000.00 (€ 11,529.59) was exactly at the lower end of the estimate range of USD 15,000.00 – 20,000.00. Even if this result could not surprise positively, Nouveau recueil d'ostologie et de myologie, dessin d'aprs nature ... pour l'utilit des sciences et des arts. Toulouse: J.F. Desclassan, 1779. is the most expensive artwork by Jacques Gamelin that we have observed at auctions so far.
Ein Spitzenpreis mit Ansage
Die Arbeit Nouveau recueil d'ostologie et de myologie, dessin d'aprs nature ... pour l'utilit des sciences et des arts. Toulouse: J.F. Desclassan, 1779. von Jacques Gamelin wurde im Juni 2013 in der Auktion The Collection of Arthur & Charlotte Vershbow Part Three: The Baroque and Rococo Periods bei Christies in New York versteigert. Das dabei erzielte Ergebnis von USD 15.000,00 (€ 11.529,59) entsprach exakt dem unteren Ende der Schätzpreisspanne von USD 15.000,00 – 20.000,00. Auch wenn das Ergebnis damit nicht positiv überraschen konnte, ist Nouveau recueil d'ostologie et de myologie, dessin d'aprs nature ... pour l'utilit des sciences et des arts. Toulouse: J.F. Desclassan, 1779. das teuerste Kunstwerk von Jacques Gamelin, das wir bisher bei Auktionen beobachtet haben.