- Art.Salon
- Artists
- Johann Wilhelm Weinmann
- Phytanthoza iconographia, Regensberg, 1735-1745
Johann Wilhelm Weinmann
Phytanthoza iconographia, Regensberg, 1735-1745
Found at
Sothebys,
London
The Library of Henry Rogers Broughton, 2nd Baron Fairhaven Part I, Lot 237
6. May - 18. May 2022
The Library of Henry Rogers Broughton, 2nd Baron Fairhaven Part I, Lot 237
6. May - 18. May 2022
Estimate: 40.000 - 60.000 GBP
Price realised: 44.100 GBP
Price realised: 44.100 GBP
Description
Johann Wilhelm Weinmann
Phytanthoza iconographia... collectarum plantarum, arborum, fruticum, florum fructuum, fungorum. Regensberg: Hieronymus Lentz [text volumes; plate volumes I-III] and Heinrich Georg Neubauer [plate volume IV], 1735-1745
6 volumes (2 text volumes, 4 plate volumes), folio (390 x 242 mm.), text volumes: mezzotint allegorical frontispiece of Ceres with attendants by J.J. Haid after Baumgartner and mezzotint portrait of Weinmann by Haid after M.C. Hirschman in volume I, mezzotint portrait of Bieler after Hirschman in volume II, the foregoing three mezzotints all printed in blue, titles in Latin and German in volume I (volume II lacking title), plate volumes: 1025 engraved and mezzotint plates (numbered 1-1025; 5 folding) printed in colour and finished by hand after Ehret, Asamin, and others by Bartolomäus Seuter, Johann Ridinger, and Johann Jakob Haid, contemporary panelled calf, spines with raised bands in eight compartments, worming at margins of first text volume, second text volume lacking title, slight dampstain at outer margins of mezzotint portraits, minor adhesive transfer on plate 2, dampstain to plate 225, plate 892 shaved at outer margin, a few plates with small closed tears (not affecting illu
This is the first complete edition of an extremely valuable record of the plant kingdom as it was understood in the mid eighteenth century. The plants are ordered alphabetically, as was done just preceding the introduction of Linnaeus' revolutionary system of classification. The work is also valued for the high artistic standard of its plates, showing algae, bulbs, flowering plants, vegetables, fruits, shrubs, and trees. Weinmann's masterpiece was "the first botanical book to use colour-printed mezzotint successfully" (Hunt).
LITERATURE:
A Cleveland Herbal 388; Dunthorne 327; Hunt 494 (the preliminary issue); Nissen BBI 2126; Pritzel 10140; Stafleu TL2 17050
Phytanthoza iconographia... collectarum plantarum, arborum, fruticum, florum fructuum, fungorum. Regensberg: Hieronymus Lentz [text volumes; plate volumes I-III] and Heinrich Georg Neubauer [plate volume IV], 1735-1745
6 volumes (2 text volumes, 4 plate volumes), folio (390 x 242 mm.), text volumes: mezzotint allegorical frontispiece of Ceres with attendants by J.J. Haid after Baumgartner and mezzotint portrait of Weinmann by Haid after M.C. Hirschman in volume I, mezzotint portrait of Bieler after Hirschman in volume II, the foregoing three mezzotints all printed in blue, titles in Latin and German in volume I (volume II lacking title), plate volumes: 1025 engraved and mezzotint plates (numbered 1-1025; 5 folding) printed in colour and finished by hand after Ehret, Asamin, and others by Bartolomäus Seuter, Johann Ridinger, and Johann Jakob Haid, contemporary panelled calf, spines with raised bands in eight compartments, worming at margins of first text volume, second text volume lacking title, slight dampstain at outer margins of mezzotint portraits, minor adhesive transfer on plate 2, dampstain to plate 225, plate 892 shaved at outer margin, a few plates with small closed tears (not affecting illu
This is the first complete edition of an extremely valuable record of the plant kingdom as it was understood in the mid eighteenth century. The plants are ordered alphabetically, as was done just preceding the introduction of Linnaeus' revolutionary system of classification. The work is also valued for the high artistic standard of its plates, showing algae, bulbs, flowering plants, vegetables, fruits, shrubs, and trees. Weinmann's masterpiece was "the first botanical book to use colour-printed mezzotint successfully" (Hunt).
LITERATURE:
A Cleveland Herbal 388; Dunthorne 327; Hunt 494 (the preliminary issue); Nissen BBI 2126; Pritzel 10140; Stafleu TL2 17050
A top price for Johann Wilhelm Weinmann - as previously expected
The work Phytanthoza iconographia, Regensberg, 1735-1745 by Johann Wilhelm Weinmann was auctioned at Sothebys in London in May last year. The estimated price for the artwork was previously given by the auction house with a range of GBP 40,000.00 – 60,000.00, the actual price achieved of GBP 44,100.00 (€ 51,879.45) could thus just exceed the lower estimate. Even if this result could not surprise positively, Phytanthoza iconographia, Regensberg, 1735-1745 is the most expensive artwork by Johann Wilhelm Weinmann that we have observed at auctions so far.
Ein Spitzenpreis mit Ansage
Die Arbeit Phytanthoza iconographia, Regensberg, 1735-1745 von Johann Wilhelm Weinmann kam im Mai letzten Jahres bei Sothebys in London zur Auktion. Der Schätzpreis für das Kunstwerk wurde von dem Auktionshaus zuvor mit einer Spanne von GBP 40.000,00 – 60.000,00 angegeben, der tatsächlich erzielte Preis von GBP 44.100,00 (€ 51.879,45) konnte den unteren Schätzpreis somit knapp übertreffen. Auch wenn das Ergebnis damit nicht positiv überraschen konnte, ist Phytanthoza iconographia, Regensberg, 1735-1745 das teuerste Kunstwerk von Johann Wilhelm Weinmann, das wir bisher bei Auktionen beobachtet haben.