Tsuchiya Koitsu (1870-1949), Kasamatsu Shiro (1898-1991), And Torii Tadamasa (1904-1970)
Showa era (1926-1989), 1932-1937
Estimate: 800 - 1.200 USD
Price realised: 1.020 USD
Price realised: 1.020 USD
Description
TSUCHIYA KOITSU (1870-1949), KASAMATSU SHIRO (1898-1991), and TORII TADAMASA (1904-1970)
Showa era (1926-1989), 1932-1937
Comprising four oban tate-e prints; the first entitled Ikegami Honganji Niomon (Nio Gate at Ikegami Honganji Temple), dated 1932, published by Watanabe Shozaburo (with Hanken shoyu Watanabe Shozaburo seal); the second entitled Ueno Shinobazu no ike (Shinobazu Pond in Ueno), dated 1937, published by Doi Sadaichi (with Hanken shoyu Doi Sadaichi seal), both signed Koitsu; the third entitled Haru no yo, Ginza (The Ginza on a Spring Night), dated 1934, signed Shiro; the last entitled Sukeroku kyogen no uchi Asagao Senpei kuma (Asagao Senpei from Sukeroku), from the series Kumadori juhachiban (Selected 18 Makeups), published by Watanabe Shozaburo (with Hanmoto Tokyo Ginza Watanabe mokuhan gaho sea
15 1/4 x 10 1/4in (38.7 x 26.1cm) the smallest
16 3/4 x 11 3/8in (42.7 x 28.8cm) the largest
Showa era (1926-1989), 1932-1937
Comprising four oban tate-e prints; the first entitled Ikegami Honganji Niomon (Nio Gate at Ikegami Honganji Temple), dated 1932, published by Watanabe Shozaburo (with Hanken shoyu Watanabe Shozaburo seal); the second entitled Ueno Shinobazu no ike (Shinobazu Pond in Ueno), dated 1937, published by Doi Sadaichi (with Hanken shoyu Doi Sadaichi seal), both signed Koitsu; the third entitled Haru no yo, Ginza (The Ginza on a Spring Night), dated 1934, signed Shiro; the last entitled Sukeroku kyogen no uchi Asagao Senpei kuma (Asagao Senpei from Sukeroku), from the series Kumadori juhachiban (Selected 18 Makeups), published by Watanabe Shozaburo (with Hanmoto Tokyo Ginza Watanabe mokuhan gaho sea
15 1/4 x 10 1/4in (38.7 x 26.1cm) the smallest
16 3/4 x 11 3/8in (42.7 x 28.8cm) the largest
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