In a long creative process I transform an idea into something visible. They are perceptual phenomena.
I live in a state of alertness, like a seismograph. The perception of the situation around me influences my approach. The way I “read” a city, including “between the lines,” is how my works could be read. What is shown and what is not shown can be seen.
My woodcuts, drawings and sculptures are created intuitively over a long period of time. From the idea to the valid print or sculpture, research into art history, history and material studies are unconsciously incorporated.
Through this long process I transform the imagination into something visible, phenomena of perception.
The possibility of digital implementation follows and at the same time becomes a separate work area.
