acrylic
40 x 30 cm
2023
acrylic
40x30
2024
acrylic
40x30 cm
2024
This painting from the "blackandwhite" series could irritate the viewer's perception and - depending on the spatial distance to it- make different patterns visible. It's not just the white pattern and the black background that contrast with each other,but also the strict geometry with the handmade, irregular execution of tiny brush dots.
Acrylic
20 x 20 cm Rahmen 30x30 cm
2022
Acrylic, pencil
20 x 20 cm, frame 30 x 30
2022
acrylic
40x40 cm
2023
acrylic
35x25 cm framed 50×40 cm
2024
The title is correct ...it is actually a training session for my left hand. I just started dotting with links until I realized, that firstly it was fun, secondly it worked well and thirdly it looked similar to old musical manuscripts. That's why I kept on painting.
acrylic
33x23 cm, frame 40x30 cm
2024
acrylic
35x25 cm, passepartout 50x40 cm
2024
it happens that even after I have finished a painting I cannot find any associations... but my younger violin students always know a lot about it. In this case, a little boy explained to me, it was about a mountain range somewhere in the north... the first thing that comes to every musician's mind is the mountain king from Edvard Grieg's "Peer Gynt Suite".
acrylic
40x40 cm, frame 50x50
2024
Acrylic
40x40 cm
2024
Gouache, sand, bone glue
100 x 90 cm
2008
Acrylic, real desert sand, putty
130x100 cm
2010
Acrylic, wax, putty,tulle
125 x 105 cm
2010
... another part of the series . I got the inspiration while looking at a white wall with yellowish moss. ... not particularly mysterious, but absolutely true.
Acrylic, wax, putty and tulle are a strange mix that I didn't know about. There were many surprises, some a bit tiring... the decisive inspiration usually often comes shortly before finishing, so the work process always remains exciting.
Acrylic, wax, japanese paper
70 x 100
2006
Acrylic, paper, wax on canvas
110 x 70
2007
This artwork has a funny origin story. I sometimes pressed Japanese paper into an undried canvas painting and ironed the whole thing with chips of beeswax. I removed the waxy leaves with iridescent colors from the canvas in odd strips and placed them in a new order on a new canvas with the iron.
Acrylic, shellac, glue
40 x 40 cm
2008
Oil, acrylic, colored pencil
40 x 30 cm, Passepartout 50 x 40 cm
2018
Oil
30x20 cm, passepartout 40x30 cm
2018
Acrylic, chalk
30x20 cm, Passepartout 40x30 cm
2020
This is the first picture in my stripes series. While tidying up the studio, I found an old paint box with gouache and a box with oilsticks and just started working. The first three pictures were taken every month, all with a striped pattern and mostly in the same format. Until then, the choice of colors had been intuitive. From painting no. four it became clear, that the paintings had a seasonal reference, and that the whole thing could become a seasonal cycle.
Gouache, oil sticks
36 x 48 cm
2014
Gouache, oilsticks
36 x 46
2014
Gouache, oilsticks
36 x 48 cm
2014
Gouache, oilsticks Deckweiss
36x48
2014
Gouache, oilsticks
36x48 cm
2013